Maxing Out on Toddler Emotions

My kid, Sasha, is not a reticent girl. If she’s happy, she’ll shriek with laughter. If she’s even a touch upset, she’ll explode into tears. She is, of course, a toddler, so this is pretty much normal.

But every once in a while, her emotional circuits short out. Just yesterday, this happened twice. While wandering around Atlantic Antic, the mega street fair that descends on our neighborhood every year, we spotted a small booth doing face-painting—and Sasha was entranced. She patiently waited her turn, then quietly allowed her face to be painted, keeping her chin up when we asked and everything. By all rights, she should have been shouting and jumping when it was all done—and yet she was entirely somber. Unsmiling. Unreactive, almost.

It threw us, at first. Here she’d just realized a dream, and yet she couldn’t express her glee. It was only hours later, in front of a mirror at home, that she relaxed enough to smile and talk about the beautiful flowers adorning her face like some kind of “Yo Gabba Gabba!”–style tribal tattoo.

And then, again, shortly after that, we biked Sasha down to Jane’s Carousel, the gorgeous, century-old carousel recently re-installed on the Brooklyn waterfront. Sasha loves carousels, though she’s only been on them a few times. The horses, the colors, the music, the centrifugal force—these should make her howl with glee. But instead, she sat on the horse stone-faced. When I asked her if she liked the ride, which she’d approached with excitement, she said, “Uh-huh,” but that was it. Weird.

So, my question is: What’s going on here? Is this a normal thing for toddlers, to be so happy that they short-circuit? Or is it that the newness of the experience means that they simply don’t know how they’re supposed to react? A lot of that emotional stuff is, I know, taught and learned, which is why kids love to pantomime happy, sad, scared, and angry faces. Otherwise, how do they know what emotions are being expressed? But man, there’s got to be some cool brain-science stuff going on here—I just wish I know what it is.

Comment of the Day: Or the Truth Revealed!

This, from DadWagon reader JF, responding to the post “Asian Woman  + Jewish man: The New Math”:

I am a Jewish American man living in Singapore. Your satirical post is spot on. I am newly, seriously involved with a native Singaporean of Chinese descent. Besides being beautiful physically, she is probably the warmest, most thoughtful, most open woman with whom I have ever been involved. And of course, she loves me because of my huge schlong.

Truth hurts, goyim. Happy New Year.

When Do Kids Need a Fig Leaf?

JP takes swimming lessons once a week at a pool in our neighborhood. This is New York, so, of course, space is limited, the pool is something of a disgrace, and the locker rooms are worse. But we come so that he won’t drown, and to kill time on the weekend, and we crowd in with close to 100 other parents and their children, a sea of parental anxiety, childlike delight (and fear), and floaties.

At the end of class this weekend I made the strategic decision not to take JP back to the locker room to help him change his clothes, instead having him strip down poolside. Was this appropriate? Is he, at 5 years old, too old? When is too old for kids to go naked in public?

I don’t really know, but I know this: JP has yet to come to any awareness of the concept of nudity. He is at times clothed and other times unclothed. These states of dress mean something to him in a physical sense: warm, cold, whatever. But they do not yet have any social, sexual, or moral connotation. He remains, in this regard, a boy in the state of nature, which is a kind of nice place for him to be, I think.

Eventually, though, he does need to come to an understanding about how society views dressing. I would let it happen of its own accord, but I am not the only parent in the equation, and I don’t really know what his mother thinks (I’m guessing she’s on the side of modesty).

In the Book of Genesis, it is written that Adam and Eve are naked and that they “felt no shame.” This is, of course, before they eat the apple from the Tree of Knowledge, at which point “the eyes of both of them were opened, and they realized they were naked; so they sewed fig leaves together and made coverings for themselves.”

The awareness of nudity is the awareness of shame, and lust, and embarrassment, and adulthood, and our bodies, and many other things. JP will come to these in time. We all do. I am in no hurry to educate him in these subjects, either, although I will soon enough, I suppose, and in so doing, educate myself.

What Almost Made Me Cry Today: ‘Love You Forever’

Looks so funny, doesn't it? Reader beware!

The other night, at bedtime, I sent Sasha to her “library” (what she calls her bookshelf) to select some reading material. She returned with Mercer Mayer’s “All By Myself,” a stack of idiotic Corduroy books, and a book I’d seen floating around the house but had never actually opened, “Love You Forever,” written by Robert Munsch and illustrated by Sheila MacGraw. Where had this book come from? I wondered. What’s it about?

Well, DadWagon readers, I can now reveal to you that this is the most manipulative, depressing children’s book I’ve ever come across. The conceit is that a new mother waits till her baby is asleep, then sneaks into his room, rocks him “back and forth, back and forth, back and forth,” and sings to him this little ditty:

I’ll love you forever

I’ll like you for always

As long as I’m living

My baby you’ll be

Throughout the book, the baby gets older, growing into a 2-year-old, then a 9-year-old, then a teenager, then a grown-up man. Ha ha! There’s Mom, sneaking into her grown son’s house to rock him in his sleep! How funny!

But I knew something was up, and as both parent and child grew—and aged—it became harder and harder for me to read aloud. That line—”As long as I’m living”—was carrying with it dreadful implications that eventually became explicit: The mother is finally too old and sick to rock her son, who rushes to her nursing home to cradle her and sing the song he’s heard all his life. Then he goes home to rock his own newborn daughter and sing to her.

I read the ending in a choked whisper. Tears were rolling down my face. Sasha barely noticed. What kind of horrible book was this—so relentlessly rolling toward its bittersweet finale? How could they do this to parents, let alone children? What kind of monster are you, Robert Munsch?

After that, the bland adventures of Corduroy—look at him go fast on his scooter!—were a welcome salve.